By Charles Turzak,Bob Blaisdell, et al.INscribe Digital|Dover Publications||Adult NonfictionHistoryLanguage(s): EnglishOn sale date: 15.07.2013Street date: 05.07.2013
Chronicling the good Emancipator's course from obscurity to immortality, this reprint of a amazing photo paintings booklet commemorates the bicentennial of Lincoln's delivery. Thirty-six remarkable woodcut photographs, each one followed by way of a quick caption, illustrate this good-looking hardcover quantity. as well as a brand new preface and advent, this version contains an appendix with numerous of Lincoln's recognized speeches, letters, and quotations.
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Additional info for An Abraham Lincoln Tribute. Featuring Woodcuts by Charles Turzak
All decent slaveholders talk that way; and I do not doubt their candor. But they never vote that way. Although in a private letter, or conversation, you will express your preference that Kansas shall be free, you would vote for no man for Congress who would say the same thing publicly. No such man could be elected from any district in a slave state. You think Stringfellow & Co. ought to be hung; and yet, at the next presidential election you will vote for the exact type and representative of Stringfellow.
1 As a young man, he split rails, manned a flatboat on the Mississippi, ran a store and a post office, worked as a surveyor and all the while seemed to be musing over the deepest and darkest features of life’s dilemmas. He thought of himself not as an educated man but as a man who, by applying himself, could learn. He was also a first-rate storyteller, and he seemed able and to need to have a narrative example to illustrate every idea over which he deliberated. ’ On streets, in crowds or gatherings, Lincoln’s tall frame stood out.
In unusual and skillful design, Turzak removed the obvious in the later prints and incorporated more complex and meaningful depictions. A good example of this inventive style appears in the print The Debate, which refers to the famous Lincoln-Douglas debates when Lincoln addressed the issue of slavery. Turzak opened up the space in this print, unlike his earlier pieces that are filled with objects. For example, instead of filling a space with faces in a crowd, he presents only a few faces that extend from the front to the background.